The Biblical Illustrator
1 Chronicles 23:5
And four thousand praised the Lord with the instruments which I made.
Music and religion
I. The object of music. “To praise therewith” well expresses the attitude of the Bible towards music. Plutarch says: “The chiefest and sublimest end of music is the graceful return of our thanks to the gods.” In these words the wisdom of the Bible representation is vindicated. A worthy conception of God is the only thing which can give the true inspiration of music, and keep it pure and noble through all its strains. Thus music and religion ought never to be divorced.
II. Some of the features of the revelation of God which the Bible gives, and see how they agree with the best features of musical life and growth.
1. The Bible reveals God to man, and man to himself; it opens up depths of meaning which ordinary life cannot sound; it calls man the son of God; it bases itself upon the love of God, which passeth knowledge; it speaks of things which eye hath not seen, nor ear heard, nor hath it entered into the heart of man to conceive. If we allow music any rights of its own, they must be based upon its claim to give expression which is beyond the power of words, and to utter conceptions which thought cannot formulate. It has the power to take them out of the surroundings even of the deepest thoughts, to lift their aspirations where nothing else can go, to carry them into the presence of a power of harmony and order more fundamental than the skill of the hand or the logic of the mind can represent.
2. Then there is the universality of religion. It is meant for all men: there are all grades and kinds of reception of it. The gospel of Christ is for all men; it has truths for the simple, and doctrines for the wise; it meets all nations of men, each according to its nature and its needs. So music in one way or another affects the simplest and the most cultured, appeals to the joyful and to the sorrowing, defies lines of nationality and of language, and is appropriated by all according to the needs of each.
3. The object of religion is harmony--harmony between heaven and earth, between man and man, harmony in the life of the individual, with its varying experiences. The power of man to appreciate harmony finds a response in the growing resources of the musical art; and the yearnings of man for a better existence, where life shall not clash with death, joy with sorrow, and love with hate, finds an answer in a revelation which destroys death, comforts sorrow, and makes love seen everywhere. There could be no better expression for heaven, aa the place where such a revelation finds its completion, than as the place of music. (Arthur Brooks, D. D.)