when lust hath conceived, it bringeth forth sin The image suggested in the previous verse is developed with an almost startling boldness. The will that yields to desire in so doing engenders evil. And as from that fatal embrace, there comes first the conception and then the birth of sin. But sin also grows; it has its infancy of purpose and its maturity of act; and so the parable is continued. Sin, in its turn, grows up, and by its union with the will becomes the mother of a yet more terrible offspring, and that offspring is Death, the loss of the true life of the soul, which consists in its capacity for knowing God. The second of the two words rendered "bringeth forth" (better, perhaps, engendereth) differs from the first, and seems, as a less common word, to have been used for extraordinary or monstrous births (such e. g. as a woman's bearing four or five children), and so is appropriate here. The word occurs again in James 1:18, where see note. In looking at the allegory as a whole we note: (1) its agreement as to the relation of sin and death, with the teaching of St Paul (Romans 5:12); (2) its resemblance to like allegories in the literature of other nations, as in the well-known Choice of Hercules that bears the name of Prodicus, in which Pleasure appears with the garb and allurements of a harlot; (3) its expansion in the marvellous allegory of Sin and Death in Milton's Paradise Lost(B. II. 745 814), where Satan represents Intellect and Will opposed to God, Sin its offspring, self-generated, and Death the fruit of the union of Mind and Will with Sin. In the incestuous union of Sin and Death that follows and in its horrid progeny, Milton seems to have sought to shadow forth the shame and foulness and misery in which even the fairest forms of sin finally issue.

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