Revelation 8:7-12

The first angel sounded a blast on his trumpet, and there came hail and fire mixed with blood and launched themselves on the dry land; and a third part of the dry land was burned up, and a third part of the trees was burned up, and all green grass was burned up.

The second angel sounded a blast on his trumpet, and what I can only call a great mountain burning with fire was hurled into the sea; and a third part of the sea became blood, and a third part of the creatures in the sea who had life died, and a third part of the ships were destroyed in wreckage.

The third angel sounded a blast on his trumpet, and a great meteor blazing like a torch fell from heaven; and it fell on a third part of the rivers, and on the springs of water. And the name by which the meteor is called is Wormwood; and a third part of the waters became wormwood; and many of mankind died because of the embitterment of the waters.

The fourth angel sounded a blast on his trumpet, and a third part of the sun was smitten, and a third part of the moon, and a third part of the stars, so that a third part of their light was darkened, and so that a third part of the day did not shine, and so with the night.

Here we have a picture of the elemental forces of nature hurled in judgment against the world. At each blast on the trumpet a different part of the world is attacked; the destruction that follows is not total for this is only the prelude to the end. First, the blast of destruction falls on the earth (Revelation 8:7); then it falls upon the sea (Revelation 8:8-9); then it falls upon the fresh water rivers and springs (Revelation 8:10-11); then it falls on the heavenly bodies (Revelation 8:12). The tide of destruction is unleashed on every part of the created universe.

We have further to note where John found his imagery. For the most part the pictures find their origin in the descriptions in Exodus of the plagues which fell on Egypt when Pharaoh refused to allow the people to go.

In John's picture hail and fire and blood fall upon the dry land. In Exodus 9:24 we read how there came upon Egypt fire mixed with a hail of unparalleled destructiveness. John to increase the terror adds blood, remembering Joel's picture of the day when the sun would be turned into darkness and the moon into blood (Joel 2:10). In John's picture a third part of the sea becomes blood and the fishes in it die. In Exodus, when Moses lifted up his rod and smote the waters, the waters of the Nile turned to blood and the fishes in the river died (Exodus 7:20-21). In Zephaniah's picture of the Day of the Lord the threat of God is: "I will sweep away man and beast; I will sweep away the birds of the air and the fish of the sea" (Zephaniah 1:3). There is no parallel for the picture of the fall of the flaming star, but there are many to the ideas of waters turning to wormwood.

Wormwood is a general name for the class of plants known as artemisia whose characteristic is bitterness of taste. They are not really poisonous in the sense of being fatal, although they are noxious, but the Israelites dreaded their bitterness. Wormwood was the fruit of idolatry (Deuteronomy 29:17-18). It was the threat of God through Jeremiah that God would give his people wormwood to eat and the waters of gall to drink (Jeremiah 9:14-15; Jeremiah 23:15). Wormwood always stood for the bitterness of the judgment of God on the disobedient.

In John's picture there came a darkening of a third part of the lights of heaven. In Exodus one of the plagues was a darkness that could be felt over the whole land (Exodus 10:21-23).

As we have so often seen, John is so steeped in the Old Testament that its visions come to him as the natural background of all that he has to say.

In this case it is by no means impossible that John is taking at least a part of his picture from actual events which he had seen or of which he had heard. A rain which looks like a rain of blood has more than once been reported from the Mediterranean countries. There is, for instance, a record of such a rain in Italy and all over south-east Europe in 1901: The reason for it is that fine red sand from the Sahara Desert is caught up into the upper air; and then when the rain comes it seems to be raining blood, as the rain and the fine red particles of sand fall together upon the earth. It may well be that John had seen something like this or had heard of it.

Further, he speaks of a flaming mass falling into the sea. This sounds very like a volcanic eruption. There was an eruption of Mount Vesuvius in August Of A.D. 79 which decimated Naples and its bay. That would be within a very few years of the writing of the Revelation. The Aegean Sea has volcanic islands and volcanoes beneath the sea. Strabo, the Greek geographer, reports an eruption in the Aegean Sea, in which Patmos lay, in the year 196 B.C., which actually resulted in the formation of a new island called Pataia Kaumene. Such events also may have been in John's mind.

In this picture of terror John has the vision of God using the elemental forces of nature to warn man of the final destruction to come.

THE FLYING EAGLE (Revelation 8:13)

8:13 And I looked, and I heard an eagle flying in mid-heaven crying with a loud voice: "Woe! Woe! Woe! for those who dwell on the earth, because of what is going to happen when the rest of the trumpets speak, which the three angels are about to sound."

Here we have one of the pauses in the story which the Revelation uses so effectively. Three fearful woes are to come upon the earth when the three angels sound the last blasts on the trumpets; but for the moment there is a pause.

In this pause the seer sees an eagle--not an angel as the King James Version has it. It is quite possible that the Greek could mean "one solitary eagle." The expression "mid-heaven" means the zenith of the sky, that part where the sun is at midday. Here we have a dramatic and eerie picture of an empty sky and a solitary eagle winging its way across its zenith, forewarning of the doom to come.

Again John is using an idea which is not new. We have the same picture in Second Baruch. When the writer of that book has seen his vision and wishes to send it to the Jews exiled in Babylon by the waters of the Euphrates, he goes on: "And I called the eagle and spake these words unto it: 'The Most High hath made thee that thou shouldest be higher than all birds. Now go, and tarry not in any place, nor enter a nest, nor settle on any tree, till thou hast passed over the breadth of the many waters of the river Euphrates, and hast gone to the people that dwell there, and cast down to them this epistle'" (Baruch 77:21-22).

The picture is not to be taken literally but the symbolism behind it is that God uses nature to send his messages to men.