1 Kings 7:15-22

(15-22) With regard to the two pillars, Jachin (“He shall establish”) and Boaz (“In it is strength”), the text gives no account of their destination, except that they were set up in the porch of the Temple (1 Kings 7:21). Mr. Fergusson considers that they were supports to the roof of the vestibule; and if this were thirty cubits high, the twenty-seven cubits of each pillar, allowing for the slope of the roof to the apex, would suit well enough. But the absence of all reference to their position as parts of the building, and the entire separation of the description of their fabrication from the account of the building itself, rather favoured the other supposition, that they were isolated pillars set up in front of the porch as symbolic monuments, conveying the idea of Psalms 46, “God is our hope and strength;” “God is in the midst of her, therefore shall she not be removed.” It is particularly noticed (2 Kings 25:13; Jeremiah 52:17; Jeremiah 52:20) that they were broken up by the Chaldæans. on the capture of Jerusalem, and the brass carried away. The description is exceedingly elaborate, and, except in one or two parts, clear enough. The shaft of each pillar was twenty-seven feet high, and its diameter something less than six feet. Josephus says that it was hollow, but of considerable thickness. Above the shaft was a chapiter (or capital) of great proportionate size (seven and a half feet high), covered with a net-work and festoons of metal-work, and ornamented with two rows of pomegranates, a hundred in each row. Over these again was “lily-work” of six feet in height — probably some conventionalised foliage, technically known by that name, like the “honeysuckle ornament” in classical architecture, or the conventional “dog-tooth” or “ball-flower” of Gothic. The whole height, even if there were no base or plinth below, would be twenty-seven cubits, or forty feet and a half. In the Dict. of the Bible (TEMPLE) is given a drawing of a pillar at Persepolis, which bears a considerable resemblance to the general description here given, but, being executed in stone, is far less elaborate in ornamentation. The whole style of the narrative shows that these were regarded as monuments of the highest artistic skill, and well known to all, as from their position they would be constantly before the eyes both of priests and people. There was, so far as can be seen, nothing to correspond to them in the Tabernacle.