Psalms 104 - Introduction

CIV.

This psalm touches the highest point of religious poetry. It is the most perfect hymn the world has ever produced. Even as a lyric it has scarcely been surpassed; while as a lyric inspired by religion, not only was all ancient literature, except that of the Hebrews, powerless to create anything like it, but even Christian poetry has never succeeded in approaching it. Milton has told the story of Creation, taking, as the psalmist does, the account in Genesis for his model; but the seventh book of the Paradise Lost, even when we make allowance for the difference between the narrative and lyric styles, is tame and prolix — seems to want animation and fire — by the side of this hymn.

At the very opening of the poem we feel the magic of a master inspiration. The world is not, as in Genesis, created by a Divine decree. It springs into life and motion, into order and use, at the touch of the Divine presence. Indeed, the pervading feeling of the hymn is the sense of God’s close and abiding relation to all that He made; the conviction that He not only originated the universe, but dwells in it and sustains it: and this feeling fastens upon us at the outset, as we see the light enfolding the Creator as His robe, and the canopy of heaven rising over Him as His tent. It is not a lifeless world that springs into being. There is no void, no chaos; even the winds and clouds are not for this poet without denizens, or they themselves start into life and people the universe for his satisfaction. He cannot conceive of a world at any time without life and order. Nor has any poet, even of our modern age, displayed a finer feeling for nature, and that not in her tempestuous and wrathful moods — usually the source of Hebrew inspiration — but in her calm, everyday temper. He is the Wordsworth of the ancients, penetrated with a love for nature, and gifted with the insight that springs from love. This majestic hymn is anonymous in the Hebrew. The LXX. have ascribed it to David. Its close connection with Psalms 103, and an Aramaic word in Psalms 104:12, indicate a post-exile date for its composition. The verse shows every variety of rhythm.