Exodus 30:22-38

THE ANOINTING OIL AND THE INCENSE.

Exodus 30:22.

We have already seen the meaning of the anointing oil and of the incense.

But we have further to remark that their ingredients were accurately prescribed, that they were to be the best and rarest of their kind, and that special skill was demanded in their preparation.

Such was the natural dictate of reverence in preparing the symbols of God's grace to man, and of man's appeal to God.

With the type of grace should be anointed the tent and the ark, and the table of shewbread and the candlestick, with all their implements, and the altar of incense, and the altar of burnt sacrifice and the laver. All the import of every portion of the Temple worship could be realized only by the outpouring of the Spirit of grace.

It was added that this should be a holy anointing oil, not to be made, much less used, for common purposes, on pain of death. The same was enacted of the incense which should burn before Jehovah: "according to the composition thereof ye shall not make for yourselves; it shall be unto thee holy for the Lord: whosoever shall make like unto that, to smell thereto, he shall be cut off from his people."

And this was meant to teach reverence. One might urge that the spices and frankincense and salt were not in themselves sacred: there was no consecrating efficacy in their combination, no charm or spell in the union of these, more than of any other drugs. Why, then, should they be denied to culture? Why should her resources be thus restricted? Does any one suppose that such arguments belong peculiarly to the New Testament spirit, or that the saints of the older dispensation had any superstitious views about these ingredients? If it was through such notions that they abstained from vulgarising its use, then they were on the way to paganism, through a materialised worship.

But in truth they knew as well as we that gums were only gums, just as they knew that the Most High dwelleth not in temples made with hands. And yet they were bidden to reverence both the shrine and the apparatus of His worship, for their own sakes, for the solemnity and sobriety of their feelings, not because God would be a loser if they did otherwise. And we may well ask ourselves, in these latter days, whether the constant proposal to secularise religious buildings, revenues, endowments and seasons does really indicate greater religious freedom, or only greater freedom from religious control.

And we may be sure that a light treatment of sacred subjects and sacred words is a very dangerous symptom: it is not the words and subjects alone that are being secularised, but also our own souls.

There is in our time a curious tendency among men of letters to use holy things for a mere perfume, that literature may "smell thereto."

A novelist has chosen for the title of a story "Just as I am." An innocent and graceful poet has seen a smile,--

"'Twas such a smile,

Aaron's twelve jewels seemed to mix

With the lamps of the golden candlesticks."

Another is bolder, and sings of the war of love,--

"In the great battle when the hosts are met

On Armageddon's plain, with spears beset."

Another thinks of Mazzini as the

"Dear lord and leader, at whose hand

The first days and the last days stand,"

and again as he who

"Said, when all Time's sea was foam,

'Let there be Rome,' and there was Rome."

And Victor Hugo did not shrink from describing, and that with a strange and scandalous ignorance of the original incidents, the crucifixion by Louis Napoleon of the Christ of nations.

Now, Scripture is literature, besides being a great deal more; and, as such, it is absurd to object to all allusions to it in other literature. Yet the tendency of which these extracts are examples is not merely toward allusion, but desecration of solemn and sacred thoughts: it is the conversion of incense into perfumery.

There is another development of the same tendency, by no means modern, noted by the prophet when he complains that the message of God has become as the "very lovely song of one who hath a pleasant voice and playeth well on an instrument." Wherever divine service is only appreciated in so far as it is "well rendered," as rich music or stately enunciation charm the ear, and the surroundings are aesthetic,--wherever the gospel is heard with enjoyment only of the eloquence or controversial skill of its rendering, wherever religion is reduced by the cultivated to a thrill or to a solace, or by the Salvationist to a riot or a romp, wherever Isaiah and the Psalms are only admired as poetry, and heaven is only thought of as a languid and sentimental solace amid wearying cares,--there again is a making of the sacred balms to smell thereto.

And as often as a minister of God finds in his holy office a mere outlet for his natural gifts of rhetoric or of administration, he also is tempted to commit this crime.