Of the music of the Old Testament Scripture it is no easy matter to form a right apprehension. That the Hebrews were fond of music is readily admitted. And that they excelled in the art, can as readily be allowed; since we find upon record, strong testimonies of the power and effect upon the mind, both from the strength and charm of the melody, and the skill of the performer. David's harp quieted the disturbed state of Sauls mind. (1 Samuel 16:14-23) And in like manner, we find other testimonies of the influence of music. When Saul sent messengers to seize David, the melody of the prophets so affected their minds that they joined the chorus. And when other messengers were sent, the same effect followed. Yea, Saul himself felt the contagion, and for the moment his passion of anger subsided. (See 1 Samuel 19:19-24)
But, while all possible allowance is made to this view of the music of the Hebrews, we cannot conceive that all that is said of musical instruments in the Old Testament Scriptures means literally so to be received. The antiquity of music, no doubt, gave birth, very early, to the invention. Jubal, before the deluge, is said to have been "the father of all that play on the (kinnor) harp, and (hugab) organ." (Genesis 4:21) Indeed, the very sound of the human voice is musical, and must have given rise very early in the world to the invention. But after all, it is not to be supposed, that every instrument of flute, harp, sackbut, psaltry, and dulcimer, literally mean those things which we take them for. In numberless instances we may conclude, that they rather mean stringed instruments of the heart. See Psalms 150:1-6 and the like. Hence the great variety of the names we meet with at the head of numberless Psalms, can never be supposed to refer to such things. Whether we comprehend their meaning or not, common sense might suppose that somewhat higher is intended.