Cântico dos Cânticos 4:1

IV.

(1) Locks. — Heb., tsammah, only besides in Cântico dos Cânticos 6:7 and Isaías 47:2. The derivation, and the existence of cognate Arabic words, leave no doubt that it means veil. So, in Isaías 47:2, the LXX. understood it, though here they have given the strange and meaningless translation, “out of thy silence,” which the Vulg. has still further mystified into “from that which lies hid within,” a rendering which has been a fruitful source of moral allusion to the more hidden beauties of the soul. If the veil was worn in ancient times in Palestine, as by Eastern ladies now, covering the lower part of the face, but allowing the eyes to be seen, the description is very appropriate.

That appear. — Marg., that eat of; Heb., galash: only here and in the corresponding passage, Cântico dos Cânticos 6:5. The word has had a variety of most contradictory interpretations. The Authorised Version follows the LXX., and has the support of Ewald’s great authority. The marginal eat of rests only on the existence of cognates in Syriac and Arabic = obtained, collected (see Lee’s Heb. Dict.), which would rather point to such a rendering as, “which they obtain from mount Gilead.” The Vulg., quœ ascenderunt, is followed by some commentators, though the bulk give the exactly opposite: “come down,” or “run down,” or “hang down from.” In such a difficulty only the context can decide, and any translation suggesting the dark hair flowing in masses round the shoulders is allowable. At the same time, from a tendency of the author to accumulate, and sometimes to confuse, his figures (Cântico dos Cânticos 4:12; Cântico dos Cânticos 4:15; Cântico dos Cânticos 5:12), probably here it is the long, soft, delicate, generally black hair of the Oriental goat which is compared to that of the lady, as well as the general appearance presented by the whole flock suspended on the mountain side.